The first solo exhibition of image-based work by Serbian collective Belgrade Raw (est. 2009) in the UK, programmed to coincide with Photo London 2024. Spanning image-objects, installation and an archive, the exhibition confounds both sole authorship and classical presentations of images.

Contra neatly-bound compositions and resolved photographic narratives, Belgrade Raw instead takes as its primary material the open-ended, daily incidents of urban life in their native Serbia.
In its intention to convey ubiquity, simultaneity and synesthesias, Approximations activates photography through what the collective refer to as a’visual cacophony’: an immersive event of image-encounters.

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